LOVE AAJ KAL MOVIE REVIEW

    Banner: Eros Entertainment & Illuminati Films
    Genre: Romance
    Cast: Saif Ali Khan, Deepika Padukone, Rishi Kaoor, Rahul Khanna & Fagun Thakrar
    Music: Pritam Chakraborty, Sulaiman Merchant, Salim Merchan
    Cinematography: N Natarajan Subramaniam

    Editing: Aarti Bajaj

    Story, screenplay - direction: Imtiaz Ali

    Producer: Saif Ali Khan & Dinesh Vijan

    Release date: 31 July 2009

    Rating:


    Love Aaj Kal Movie Review

    story and Analysis :

    A love story that opens with a breakup – that’s quite a ‘twist’ in the treatment. Do not expect too much of novel turns in the tale though. Love Aaj Kal is a been-there-seen-that story of a couple, Jai (Saif Ali Khan) and Meera (Deepika Padukone) who realize true love for each other once they part ways and go their own paths. Just that this couple breaks up to start with and subsequently gets together for an imminent happy end. A parallel plot in a period setting has Veer (Saif, again) being smitten by a pristine Punjabi kudi in a bygone era.
    The different perspectives of love in the parallel narratives, beautifully builds a contrast in the tale. The innocence of love from the past era comes across as strikingly divergent to the practicality of romance in the present times. In a pensive line, Rishi Kapoor as the elder Sardar, makes smart sense when he says love made people serious about life in yesteryears while seriousness towards life makes people abandon love in current generation.



    The feel of the film is fresh, youthful and light-hearted throughout which is aptly complemented by informal and straight-out-of-life dialogues, peppy musical score and natural performances. Even the breakup between the couple is absolutely casual sans any hard feelings. Especially notable are the instant conversations post the breakup, where the couple liberated of relationship, opens up more warmly. The chemistry between the couple is equally relaxed as love is established with kiss-and-make-up briskness.But somewhere too much abruptness dilutes the conviction of the narrative. While one is habituated to the abrupt emergence of song-and-dance (the Twist track), what is not reasonable is Saif’s sudden distracted demeanour and love-realization in the pre-climax. There are momentary failures in continuity with the screenplay constantly crossing geographical boundaries and covering different timeframes. Certainly the film stretches and drags in its latter reels. While the feel-good factor works in its favour, it also brings in the déjà vu effect from romance flicks ranging from DDLJ to Hum Tum . The lover’s reunion after a yearlong hiatus is evocative of the climax of Kabhi Alvida Naa Kehna .

    Technical Department and Artist performance :

    The editing (Aarti Bajaj) and cinematography (N Natarajan Subramaniam) are impressive. But what steals the show is Pritam’s spirited composition and Bosco-Caeser’s grooving choreography in Twist and Aahun Aahun which is amazingly energetic and infectious.
    Saif Ali Khan shines with a refreshing natural performance in both his characters. He looks super-cool as Jai and makes for a decent enough Sardar, Veer. He’s esp. outstanding in the pre-marriage confrontation with Deepika. Deepika Padukone puts in an equally compelling act and shares superb chemistry with Saif. Rishi Kapoor is lively. The still-under-wraps second lead (Punjabi girl) is immaculately beautiful.
    The recipe of love stories hasn’t changed much over the years. It’s just reworked garnishing that has added to the appeal. Likewise Love Aaj Kal doesn’t promise much newness in its plot but clicks largely for its casual-n-cheerful presentation.
    Kal ka wine in Aaj ka bottle!


    Final View:

    Love Aaj Kal is the movie that threatens to erase the line between Bollywood and world cinema. The movie runs on an interesting screenplay and fine conversations. The main conflict point in this movie is the non-committal nature of the lead pair. The moment they show commitment to each other, the movie gets over. Director Imtiaz Ali came up with an arresting narration to sustain interest throughout the movie. A film of this nature might not appeal to aam aadmi (mango people), but will definitely be liked by multiplex crowds. Love Aaj Kal is definitely worth a watch.

    Source URL: https://newnewnew7.blogspot.com/2009/07/
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Balakrishna's Bheeshma movie wallpapers, Updates, Mp3 Songs Downloads




    Days can be counted on tips to see the grand launch of ‘Bheeshma’ starring Yuva Ratna Nandamuri Balakrishna. Yes! The movie launch will take place on July 31 amidst many top film personalities. ‘Ride’ fame Ramesh Varma will wield this megaphone while Bellamkonda Suresh will produce it. Much against the mythological character is this ‘Bheeshma’ appears to be, hence there are three heroines in the film. According to Film Nagar sources the producer had already roped in Bhumika and Nayantara, while the search is on for the 3rd one.



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    Source URL: https://newnewnew7.blogspot.com/2009/07/
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MAGADHEERA MOVIE REVIEW

    Genre: Romance/Action
    Type: Straight
    Banner: Geeta Arts

    Cast: Ram Charan Teja, Kajal Agarwal, Srihari, Sunil, Brahmanandam, Sarath Babu, Rao Ramesh, Surya, Mumaith Khan, Sameer, Sekhar, Kim Sharma, Saloni & Hema
    Music: MM Keeravani
    Background music: Keeravani & Kalyani Malik
    Cinematography: Senthil Kumar
    Dialogues: Ratnam
    Art: Ravinder
    Editing: Kotagiri Venkateswara Rao
    Fights: Peter Hynes & Ram Lakshman
    Styling: Rama Rajamouli
    Co-producer: Bhogavally Prasad
    Story: Vijayendra Prasad
    Screenplay, & Direction: SS Rajamouli
    Producer: Allu Arvind
    Release date: 30 July 2009 (premium show in Cinemax).
    Original date : 31 July , 2009.

    Rating:



    MAGADHEERA REVIEW-TELUGU (2009)

    Story:
    The story happens in the year 1609. Kala Bhairava (Ram Charan Teja) is the protector/cheif guard of Udayghad kingdom. Mitra (Kajal Agarwal) – the heir princess is in love with him. But there is a bad relative of the king who wants to marry her. Sher Khan (Srihari) plans to invade Udayghad. In the process ensued, all of them die. These four people take rebirth after 400 years in the contemporary era. Harsha (Ram Charan Teja) is a race biker. He falls in love with Indu (Kajal Agarwal). And a bad guy called Raghuveer is after her. The rest of the story is all about how they trace themselves back to the past and settle the unfinished business.

    Story Analysis:
    After long gap at last ram charan new film Magadheera was released . the long wait of chiru fans dream come true from this film . This seems to be a not a biggest hit. But it will satisfy every audiences . well coming into film analysis , the Opening episode of the movie is superb. First half of the movie is nice and second half is decent. The tempo goes down right after the flashback episode as it’s everybody’s guess that what follows is a predictable climax. The plus points of the movie are Ram Charan Teja, novel subject of rebirth, flashback episode, grandeur and commercial pay offs. On the flipside, there is tremendous scope for improvement in the second half. On a whole, Magadheera might not be a great film. But it is a good entertainer with nicely packed commercial elements and grandeur. Go and watch it in a theatre near you with nice projection and good sound system. Some of the scenes in this film are similar to Gladiator and 300 movies There is uncanny resemblance to Arundhati and Magadheera stories. Both these films are about incarnations. Both these movies have aghora episodes. And villain lusts heroine and that forms the central conflict point in both these movies. The horse coming back to help the sinking hero. Kill 100 people episode (inspired by 300 movie killing style where killing is shown more like poetry than a gore element). The opening credits have the counting of 100 as the backdrop and we realise the importance of it only after watching the last fight of the flashback. Will create an impact on every audience. The basis of heroine misunderstanding hero is too flimsy. Srihari’s car colliding with chopper looks comical in the serious fight of climax. .

    Artists Performance:

    Ram Charan Teja: Ram Charan’s performance in his debut film Chiruta is like a show reel of what he is capable of doing. In this movie, he gets an opportunity to do some real good performance and he performs them convincingly with effortless ease. And he had gone through tremendous physical toil in this film as it involves horse riding, sword fighting, dances and many more. His dance in Bangaru Kodipetta after the completion of Chiranjeevi’s appearance is stunning. He is gifted with a good voice and he should fine tune it further to come up with pristine Telugu diction.

    Kajal Agarwal: Kajal Agarwal is the surprise pack of this movie. She never looked so gorgeous and lovely in her earlier movies. She is overwhelming in this movie. Soumya who dubbed her voice came up with fabulous job in the first half where heroine’s naughty and is in love. However, she needs to come up with better dubbing for emotional scenes and serious episodes..

    Special Appearance :

    Chiranjeevi did a special appearance in Bangaru Kodi Petta remix song. Srihari has relatively small screen presence. But his role is extremely powerful. He is excellent as Share Khan and his get-up and dialogue delivery is superb. And his Srikakulam dialect in the second half is very nice. The guy who did the role of villain has sharp features and he is adequate. Rao Ramesh is excellent in the role of Aghora. His voice and body language is wonderful. Sameer is good as the deputy of Srihari. Sunil and Brahmanandam are adequate. Mumaith Khan danced with Ram Charan Teja in Bangaru Kodi Petta. Kim Sharma did another item song. One wonders what Saloni is doing in this movie?

    Technical departments :

    Story - screenplay - directon: Story of the movie is about rebirths. Rajamouli opened the movie by revealing the story right in the first episode. The challenge lies in Rajamouli’s handling of telling the story interestingly to the audiences though audiences know what he is going to narrate. Screenplay of the movie is good and the Rajamouli trade mark commercial paybacks are nicely inserted at regular intervals. Rajamouli who made a self-confession in the past that he is weak at narrating love stories makes a nice effort to come up with a convincing love story that penetrates eras and generations. The opening sequence and The shot where hero and heroine go to Bhairava to perform poojas. The shot involving of elevating camera on top angle between two pillars in flashback episodes are visually extraordinary. Director Rajamouli will need improve on how to end climax . not this almost all in his carrier half ends great and the climax will ends comically.
    Some scenes are commercial payoffs will work big time . for example White Chunni thread (just like the thread of medal in Yamadonga film) Picking up four important characters from the past and get them closer in the current time. Ending the movie from where it started in the opening episode (usage of same weapons, location, sentiment etc) Aghora tells villain how to recognize the hero. And the same symptoms occur during helicopter fight before interval.

    Other departments:

    Rajamouli should be appreciated for giving due credit to all his technicians by dedicating a full-song to them during the end titles of the movie. Watching that was fun. Songs scored by MM Keeravani are little disappointing when you listen to them on the stereo. But they are good on screen with visuals. Background music (a combined effort of Keeravani and Kalyani Malik) is excellent. Cinematography by Senthil Kumar is very good. It is extremely difficult to recreate the era of 400 years old and art direction by Ravinder is splendid. Fights composed by Peter Hynes are excellent. Dialogues by Ratnam are good. Styling by Rama Rajamouli is very good and you can see chic colors in the costumes worn by the lead pair in abroad song. Editing is good. Visual effects are nice. So is digital intermediate. But at the same time, there seem to be inconsistency in visuals throughout the movie. Some of the visuals are excellent and some of the visuals are good and some other are mediocre. Visuals are the results of combined effort of cinematographer, art director, visual effects department, DI team and film processing lab. One can see inconsistency in the postproduction of the movie. Production values of Geeta Arts are impressive and it is one of the biggest spent movie of Telugu film industry.


    Final word:
    Rajamouli hard work and the ram charan performance was great and the film was not an big hit . But it was a convincing one. It was an above average film.Source URL: https://newnewnew7.blogspot.com/2009/07/
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    Directed :Ram Gopal Varma
    Produced : Ronnie Screwvala, Ram Gopal Varma
    Written: Nilesh Girkar, Puneet Gandhi
    Cast: Nitin Kumar Reddy,Priyanka Kothari,Gautam Rode
    Music: Imran Bapi Tutul

    Source URL: https://newnewnew7.blogspot.com/2009/07/
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BLUE HINDI MOVIE WALLPAERS, MP3 SONGS DOWNLOADS,MOVIE REVIEW


    BLUE- HINDI MOVIE WALLPAERS-MP3 SONGS DOWNLOADS-MOVIE REVIEW

    Blue Hindi Movie

    Release Date: 14 August, 2009

    Cast:Akshay KumarSanjay DuttLara DuttaZayed KhanKatrina KaifSuniel ShettyKylie Minogue

    Director: Anthony D'Souza

    Music: A R Rahman

    Story Line: The movie will be based on the theme of Shipwreck and treasure, thus most of the shooting will take place under water. All the actors have been methodically trained in scuba diving in Bangkok. Lara Dutta is working out to push through the flab meter. She is reportedly working extremely hard for this venture and will sport a bikini. Now, the last statement must have let the oglers begin to weave a lot of imagination. For all those who remember her sporting a bikini earlier, this will be an all new avatar. Lara has also learnt all the swimming tricks, something that she was hardly acquainted with earlier. Aarav is the reel name which Akshaye will be keeping in the movie; this is quite a departure from the garish Bacchhan Pande. Akshay kumar is an attested deep sea diver. His list of injuries continues though. He had been given a shot where he was to be at a depth of 75 feet and was to be infested by 30 sharks. Unfortunately he got stuck with the shipwreck and began to bleed.


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    BLUE MOVIE REVIEW

    CAST:Akshay KumarSanjay DuttLara DuttaZayed KhanKatrina KaifSuniel ShettyKylie Minogue

    RATING:

    STORY ANALYSIS:

    ARTIST AND OTHER PERFORMANCES:

    FINAL VIEW:
    Source URL: https://newnewnew7.blogspot.com/2009/07/
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    Cast :: Fardeen Khan, Tusshar Kapoor, Genelia Dsouza, Prachi Desai & Govinda
    Music :: Pritam Chakraborty
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    Source URL: https://newnewnew7.blogspot.com/2009/07/
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    KALAVARAMAYE MADILO(2009)-TELUGU MOVIE- MP3 SONGS DOWNLOADS


    Cast : Kamal Kamaraju, Swathi
    Music : Sharath Vasudevan
    Director : Satish
    Producer : Mohan Vadlapatla



    Track list :-


    01.Kalavaramaye :
    Singers : Chitra
    Lyrics : Vanamali

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    Lyrics : Vanamali

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    Source URL: https://newnewnew7.blogspot.com/2009/07/
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MAGADHEERA MP3 SONGS DOWNLOADS


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    Movie : Magadheera
    Cast : Ramcharan tej, Kajal, Srihari
    Music : M.M.Keravani
    Director : S.S.Rajamouli
    Producer : Allu Aravind
    Banner : Geetha Arts


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    01.Bangaru kodipetta :
    Singers : Ranjit,Shivani
    Lyrics : Bhuvanachandra

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    Lyrics : M.M.Keravani

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    Source URL: https://newnewnew7.blogspot.com/2009/07/
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    Movie : Anjaneyulu
    Cast : Raviteja, Nayantara
    Music : Thaman.S
    Director : Parasuram (Bujji)
    Producer : Ganesh Babu

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    Source URL: https://newnewnew7.blogspot.com/2009/07/
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ANJANEYULU MOVIE REVIEW

    ANJANEYULU MOVIE REVIEW-TELUGU-2009

    Cast: raviteja, Nayantara.

    Music :: Thaman S.

    Director :: Parasuram (Bujji).

    Producer :: Ganesh Babu.



    Review will be update after realease of first day noon show.

    Source URL: https://newnewnew7.blogspot.com/2009/07/
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