BAND BAAJA BAARAAT MOVIE REVIEW

Cast&Crew: Anushka Sharma,Ranveer Singh
Music : Salim-Sulaiman
Cinematography :Aseem Mishra
Director :Maneesh Sharma
Producer : Aditya Chopra
Screenplay : Habib Faisal
Story : Maneesh Sharma
Editing : Namrata Rao
Studio : Yash Raj Films
Distributed by: Yash Raj Films
Release date : December 10, 2010
Watched Theater : PVR Cinemas, Hyderabad.
Rating: 3 . 25 / 5

Band Baaja Baaraat Hindi Movie Review:
Have you ever wondered what they mean when they talk about the chemistry between a screen pair? Watch this delightful ode to the great Indian wedding and it will solve the mystery for keeps.


Story and Movie Analysis:
Shruti [Anushka Sharma] is a 20-something no-nonsense girl from a middle class Delhi household. Focused and determined with pre-planned ambitions, her goals in life are well laid out by the time she reaches her final year of college. Bittoo [Ranveer Singh], on the other hand, has no real aim in life. As a final year college student of Delhi University, he whiles away his life having fun with his buddies. A chance and inopportune meeting brings the two of them together on a tumultuous journey where they become partners in their very own, "Wedding planning ka bijness." The rules, however, are clear: "Jisse vyapaar karo, usse kabhi na pyaar karo" [Don't mix business with pleasure]. Together, their friendship and business enters the ups and downs of the lavish Delhi weddings. And while trying to find themselves, Shruti and Bittoo discover each other and realize that they are made for each other.

The first thing that catches your eye is the novel concept of this film. In a country obsessed with marriages and merriment, the Indian weddings are filled with rituals and celebrations and continue for several days. Of course, BAND BAAJA BAARAAT isn't about pre-wedding ceremonies, baaraat and pheras, but about two wedding planners and how the 'bijness partners' become life partners eventually. 10 minutes into the film and you get drawn to their world: The setting, the ambience, the lingo, the overall tone and mood transport you to North India instantly. The unique plot keeps you on toes all through the first hour. The writing is oven fresh and the situations, thoroughly absorbing. I would like to single out the sequence at the intermission, which is deftly executed by the debutant director. You know something is amiss, even though no one utters a word. And you realize how true your intuition was towards the second half, which starts off with abundant promise, but deviates into the predictable zone when the lovers have a tiff. Several sequences consequently tend to get repetitive and tedious, but even in its most flaccid and drooping moments, what saves the film from derailing is the chemistry between the lead pair.
Artist Performance:
Anushka is truly wonderful. The toughest part of her job must have been to speak like a typical Delhi Punjabi girl and she does it so skillfully. For the first time in her 3-film career, a film rests mainly on Anushka's shoulders, as opposed to her prior films [RAB NE BANA DI JODI and BADMAASH COMPANY], and she handles the responsibility so well.
Debutant Ranveer is the lifeline of BAND BAAJA BAARAAT. In fact, the youngster adds a lot of spontaneity and sparkle to his character, which is unsophisticated, but charming. He actually catches you unaware in the emotional moments, which he enacts so well. Here's a talent you just can't disregard. The super-energetic performance should be met with equal enthusiasm by the audience. The supporting cast includes relatively unknown names, but I would like to single out Neeraj Sood [as Maqsoodbhai], who's excellent. Manmeet Singh Sawhney [as Rajinder] is good, while Manish Chaudhari [as Mr. Sidhwani] is first-rate.


Technical and Other Departments:
Debutant director Maneesh Sharma, who worked on FANAA, AAJA NACHLE and RAB NE BANA DI JODI, makes a confident debut with BAND BAAJA BAARAAT. Sharma narrates a quintessential Delhi tale most effectively. BAND BAAJA BAARAAT would've lost the plot had it been entrusted to a lesser talent. The screenplay is wonderfully penned by Habib Faisal, a gifted writer who directed the immensely likable DO DOONI CHAAR. In fact, like DO DOONI CHAAR, which was also set in Delhi, BAND BAAJA BAARAAT also captures the Delhi flavour diligently.
In fact, Aseem Mishra's cinematography captures the North Indian ambience with precision. When you attempt a film with North Indian wedding ceremonies as the setting, you anticipate nothing but frolicking compositions that don't let the fun component plunge. Music composer duo Salim-Sulaiman and lyricist Amitabh Bhattacharya come up with a lively score. You take to 'Ainvayi Ainvayi' instantly; it has smash hit written all over it. 'Tarkeebein' has a certain evocative feel to it, while 'Band Baaja Baaraat' has a hugely appealing tune and goes extremely well with the mood of the film, that of marriages and merriment. It's amongst Salim-Sulaiman's best works. I would also like to mention Vaibhavi Merchant's choreography in the 'Ainvayi Ainvayi' track. It's very energetic.

Final View:
It may not scorch the box office and may not go down in your must-watch list. Yet Band Baajaa Baaraat engages you with its fond look at fun-loving Dilliwalas.
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